BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ChamberMaster//Event Calendar 2.0//EN METHOD:PUBLISH X-PUBLISHED-TTL:P3D REFRESH-INTERVAL:P3D CALSCALE:GREGORIAN BEGIN:VEVENT DTSTART;VALUE=DATE:20180713 DTEND;VALUE=DATE:20180730 TRANSP:TRANSPARENT X-MICROSOFT-CDO-ALLDAYEVENT:TRUE SUMMARY:Cabaret DESCRIPTION:In a Berlin nightclub\, as the 1920's draw to a close\, a garish Master of Ceremonies welcomes the audience and assures them they will forget all their troubles at the cabaret. With the Emcee's bawdy songs as wry commentary\, CABARET explores the dark\, heady\, and tumultuous life of Berlin's natives and expatriates as Germany slowly yields to the emerging Third Reich. Cliff\, a young American writer newly arrived in Berlin\, is immediately taken by English singer Sally Bowles. Meanwhile\, Fr ulein Schneider\, proprietor of Cliff and Sally's boardinghouse\, tentatively begins a romance with Herr Schultz\, a mild-mannered fruit seller who happens to be Jewish. Musical numbers include "Willkommen\," "Cabaret\," "Don't Tell Mama" and "Two Ladies."\n\n \n\n\n\n\n\n\n\nIn a Berlin nightclub\, as the 1920's draw to a close\, a In a Berlin nightclub\, as the 1920's draw to a close\, a garish Master of Ceremonies welcomes the audience and assures them they will forget all their troubles at the cabaret. With the Emcee's bawdy songs as wry commentary\, CABARET explores the dark\, heady\, and tumultuous life of Berlin's natives and expatriates as Germany slowly yields to the emerging Third Reich. Cliff\, a young American writer newly arrived in Berlin\, is immediately taken by English singer Sally Bowles. Meanwhile\, Fr ulein Schneider\, proprietor of Cliff and Sally's boardinghouse\, tentatively begins a romance with Herr Schultz\, a mild-mannered fruit seller who happens to be Jewish. Musical numbers include "Willkommen\," "Cabaret\," "Don't Tell Mama" and "Two Ladies."garish Master of Ceremonies welcomes the audience and assures them they will forget all their troubles at the cabaret. With the Emcee's bawdy songs as wry commentary\, CABARET explores the dark\, heady\, and tumultuous life of Berlin's natives and expatriates as Germany slowly yields to the emerging Third Reich. Cliff\, a young American writer newly arrived in Berlin\, is immediately taken by English singer Sally Bowles. Meanwhile\, Fr ulein Schneider\, proprietor of Cliff and Sally's boardinghouse\, tentatively begins a romance with Herr Schultz\, a mild-mannered fruit seller who happens to be Jewish. Musical numbers include "Willkommen\," "Cabaret\," "Don't Tell Mama" and "Two Ladies."\n\n \n\n\n\n\n\n\n\nIn a Berlin nightclub\, as the 1920's draw to a close\, a garish Master of Ceremonies welcomes the audience and assures them they will forget all their troubles at the cabaret. With the Emcee's bawdy songs as wry commentary\, CABARET explores the dark\, heady\, and tumultuous life of Berlin's natives and expatriates as Germany slowly yields to the emerging Third Reich. Cliff\, a young American writer newly arrived in Berlin\, is immediately taken by English singer Sally Bowles. Meanwhile\, Fr ulein Schneider\, proprietor of Cliff and Sally's boardinghouse\, tentatively begins a romance with Herr Schultz\, a mild-mannered fruit seller who happens to be Jewish. Musical numbers include "Willkommen\," "Cabaret\," "Don't Tell Mama" and "Two Ladies."\n\n \n\n\n\n\n\n\n\nIn a Berlin nightclub\, as the 1920's draw to a close\, a garish Master of Ceremonies welcomes the audience and assures them they will forget all their troubles at the cabaret. With the Emcee's bawdy songs as wry commentary\, CABARET explores the dark\, heady\, and tumultuous life of Berlin's natives and expatriates as Germany slowly yields to the emerging Third Reich. Cliff\, a young American writer newly arrived in Berlin\, is immediately taken by English singer Sally Bowles. Meanwhile\, Fr ulein Schneider\, proprietor of Cliff and Sally's boardinghouse\, tentatively begins a romance with Herr Schultz\, a mild-mannered fruit seller who happens to be Jewish. Musical numbers include "Willkommen\," "Cabaret\," "Don't Tell Mama" and "Two Ladies."\n\n \n\n\n\n\n\n\n\nIn a Berlin nightclub\, as the 1920's draw to a close\, a garish Master of Ceremonies welcomes the audience and assures them they will forget all their troubles at the cabaret. With the Emcee's bawdy songs as wry commentary\, CABARET explores the dark\, heady\, and tumultuous life of Berlin's natives and expatriates as Germany slowly yields to the emerging Third Reich. Cliff\, a young American writer newly arrived in Berlin\, is immediately taken by English singer Sally Bowles. Meanwhile\, Fr ulein Schneider\, proprietor of Cliff and Sally's boardinghouse\, tentatively begins a romance with Herr Schultz\, a mild-mannered fruit seller who happens to be Jewish. Musical numbers include "Willkommen\," "Cabaret\," "Don't Tell Mama" and "Two Ladies."\n\n \n\n\n\n\n\n\n\nIn a Berlin nightclub\, as the 1920's draw to a close\, a garish Master of Ceremonies welcomes the audience and assures them they will forget all their troubles at the cabaret. With the Emcee's bawdy songs as wry commentary\, CABARET explores the dark\, heady\, and tumultuous life of Berlin's natives and expatriates as Germany slowly yields to the emerging Third Reich. Cliff\, a young American writer newly arrived in Berlin\, is immediately taken by English singer Sally Bowles. Meanwhile\, Fr ulein Schneider\, proprietor of Cliff and Sally's boardinghouse\, tentatively begins a romance with Herr Schultz\, a mild-mannered fruit seller who happens to be Jewish. Musical numbers include "Willkommen\," "Cabaret\," "Don't Tell Mama" and "Two Ladies."\n\n \n\n\n\n\nIn a Berlin nightclub\, as the 1920's draw to a close\, a garish Master of Ceremonies welcomes the audience and assures them they will forget all their troubles at the cabaret. With the Emcee's bawdy songs as wry commentary\, CABARET explores the dark\, heady\, and tumultuous life of Berlin's natives and expatriates as Germany slowly yields to the emerging Third Reich. Cliff\, a young American writer newly arrived in Berlin\, is immediately taken by English singer Sally Bowles. Meanwhile\, Fr ulein Schneider\, proprietor of Cliff and Sally's boardinghouse\, tentatively begins a romance with Herr Schultz\, a mild-mannered fruit seller who happens to be Jewish. Musical numbers include "Willkommen\," "Cabaret\," "Don't Tell Mama" and "Two Ladies." X-ALT-DESC;FMTTYPE=text/html:
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In a Berlin nightclub\, as the 1920&rsquo\;s draw to a close\, a garish Master of Ceremonies welcomes the audience and assures them they will forget all their troubles at the cabaret. With the Emcee&rsquo\;s bawdy songs as wry commentary\, \;CABARET \;explores the dark\, heady\, and tumultuous life of Berlin&rsquo\;s natives and expatriates as Germany slowly yields to the emerging Third Reich. Cliff\, a young American writer newly arrived in Berlin\, is immediately taken by English singer Sally Bowles. Meanwhile\, Frä\;ulein Schneider\, proprietor of Cliff and Sally&rsquo\;s boardinghouse\, tentatively begins a romance with Herr Schultz\, a mild-mannered fruit seller who happens to be Jewish. Musical numbers include &ldquo\;Willkommen\,&rdquo\; &ldquo\;Cabaret\,&rdquo\; &ldquo\;Don&rsquo\;t Tell Mama&rdquo\; and &ldquo\;Two Ladies.&rdquo\;

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In a Berlin nightclub\, as the 1920&rsquo\;s draw to a close\, a In a Berlin nightclub\, as the 1920&rsquo\;s draw to a close\, a garish Master of Ceremonies welcomes the audience and assures them they will forget all their troubles at the cabaret. With the Emcee&rsquo\;s bawdy songs as wry commentary\, \;CABARET \;explores the dark\, heady\, and tumultuous life of Berlin&rsquo\;s natives and expatriates as Germany slowly yields to the emerging Third Reich. Cliff\, a young American writer newly arrived in Berlin\, is immediately taken by English singer Sally Bowles. Meanwhile\, Frä\;ulein Schneider\, proprietor of Cliff and Sally&rsquo\;s boardinghouse\, tentatively begins a romance with Herr Schultz\, a mild-mannered fruit seller who happens to be Jewish. Musical numbers include &ldquo\;Willkommen\,&rdquo\; &ldquo\;Cabaret\,&rdquo\; &ldquo\;Don&rsquo\;t Tell Mama&rdquo\; and &ldquo\;Two Ladies.&rdquo\;garish Master of Ceremonies welcomes the audience and assures them they will forget all their troubles at the cabaret. With the Emcee&rsquo\;s bawdy songs as wry commentary\, \;CABARET \;explores the dark\, heady\, and tumultuous life of Berlin&rsquo\;s natives and expatriates as Germany slowly yields to the emerging Third Reich. Cliff\, a young American writer newly arrived in Berlin\, is immediately taken by English singer Sally Bowles. Meanwhile\, Frä\;ulein Schneider\, proprietor of Cliff and Sally&rsquo\;s boardinghouse\, tentatively begins a romance with Herr Schultz\, a mild-mannered fruit seller who happens to be Jewish. Musical numbers include &ldquo\;Willkommen\,&rdquo\; &ldquo\;Cabaret\,&rdquo\; &ldquo\;Don&rsquo\;t Tell Mama&rdquo\; and &ldquo\;Two Ladies.&rdquo\;

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In a Berlin nightclub\, as the 1920&rsquo\;s draw to a close\, a garish Master of Ceremonies welcomes the audience and assures them they will forget all their troubles at the cabaret. With the Emcee&rsquo\;s bawdy songs as wry commentary\, \;CABARET \;explores the dark\, heady\, and tumultuous life of Berlin&rsquo\;s natives and expatriates as Germany slowly yields to the emerging Third Reich. Cliff\, a young American writer newly arrived in Berlin\, is immediately taken by English singer Sally Bowles. Meanwhile\, Frä\;ulein Schneider\, proprietor of Cliff and Sally&rsquo\;s boardinghouse\, tentatively begins a romance with Herr Schultz\, a mild-mannered fruit seller who happens to be Jewish. Musical numbers include &ldquo\;Willkommen\,&rdquo\; &ldquo\;Cabaret\,&rdquo\; &ldquo\;Don&rsquo\;t Tell Mama&rdquo\; and &ldquo\;Two Ladies.&rdquo\;

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In a Berlin nightclub\, as the 1920&rsquo\;s draw to a close\, a garish Master of Ceremonies welcomes the audience and assures them they will forget all their troubles at the cabaret. With the Emcee&rsquo\;s bawdy songs as wry commentary\, \;CABARET \;explores the dark\, heady\, and tumultuous life of Berlin&rsquo\;s natives and expatriates as Germany slowly yields to the emerging Third Reich. Cliff\, a young American writer newly arrived in Berlin\, is immediately taken by English singer Sally Bowles. Meanwhile\, Frä\;ulein Schneider\, proprietor of Cliff and Sally&rsquo\;s boardinghouse\, tentatively begins a romance with Herr Schultz\, a mild-mannered fruit seller who happens to be Jewish. Musical numbers include &ldquo\;Willkommen\,&rdquo\; &ldquo\;Cabaret\,&rdquo\; &ldquo\;Don&rsquo\;t Tell Mama&rdquo\; and &ldquo\;Two Ladies.&rdquo\;

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In a Berlin nightclub\, as the 1920&rsquo\;s draw to a close\, a garish Master of Ceremonies welcomes the audience and assures them they will forget all their troubles at the cabaret. With the Emcee&rsquo\;s bawdy songs as wry commentary\, \;CABARET \;explores the dark\, heady\, and tumultuous life of Berlin&rsquo\;s natives and expatriates as Germany slowly yields to the emerging Third Reich. Cliff\, a young American writer newly arrived in Berlin\, is immediately taken by English singer Sally Bowles. Meanwhile\, Frä\;ulein Schneider\, proprietor of Cliff and Sally&rsquo\;s boardinghouse\, tentatively begins a romance with Herr Schultz\, a mild-mannered fruit seller who happens to be Jewish. Musical numbers include &ldquo\;Willkommen\,&rdquo\; &ldquo\;Cabaret\,&rdquo\; &ldquo\;Don&rsquo\;t Tell Mama&rdquo\; and &ldquo\;Two Ladies.&rdquo\;

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In a Berlin nightclub\, as the 1920&rsquo\;s draw to a close\, a garish Master of Ceremonies welcomes the audience and assures them they will forget all their troubles at the cabaret. With the Emcee&rsquo\;s bawdy songs as wry commentary\, \;CABARET \;explores the dark\, heady\, and tumultuous life of Berlin&rsquo\;s natives and expatriates as Germany slowly yields to the emerging Third Reich. Cliff\, a young American writer newly arrived in Berlin\, is immediately taken by English singer Sally Bowles. Meanwhile\, Frä\;ulein Schneider\, proprietor of Cliff and Sally&rsquo\;s boardinghouse\, tentatively begins a romance with Herr Schultz\, a mild-mannered fruit seller who happens to be Jewish. Musical numbers include &ldquo\;Willkommen\,&rdquo\; &ldquo\;Cabaret\,&rdquo\; &ldquo\;Don&rsquo\;t Tell Mama&rdquo\; and &ldquo\;Two Ladies.&rdquo\;

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In a Berlin nightclub\, as the 1920&rsquo\;s draw to a close\, a garish Master of Ceremonies welcomes the audience and assures them they will forget all their troubles at the cabaret. With the Emcee&rsquo\;s bawdy songs as wry commentary\, \;CABARET \;explores the dark\, heady\, and tumultuous life of Berlin&rsquo\;s natives and expatriates as Germany slowly yields to the emerging Third Reich. Cliff\, a young American writer newly arrived in Berlin\, is immediately taken by English singer Sally Bowles. Meanwhile\, Frä\;ulein Schneider\, proprietor of Cliff and Sally&rsquo\;s boardinghouse\, tentatively begins a romance with Herr Schultz\, a mild-mannered fruit seller who happens to be Jewish. Musical numbers include &ldquo\;Willkommen\,&rdquo\; &ldquo\;Cabaret\,&rdquo\; &ldquo\;Don&rsquo\;t Tell Mama&rdquo\; and &ldquo\;Two Ladies.&rdquo\;
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\n LOCATION:The Market Theatre Company 110 Federal Street\, Suite 6 Anderson\, SC 29625 UID:e.3091.7350 SEQUENCE:3 DTSTAMP:20260409T112249Z URL:http://andersonsc.chambermaster.com/events/details/cabaret-7350 END:VEVENT END:VCALENDAR